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An engineer (John D. Michaels) at a major tech company sneaks a skeptical journalist (Maria-Elena Laas) inside to interview what he believes is the first sentient AI (Chase Simone).

Anchor 1

15 minutes   |   AI Short Form

PASSWORD: ./enter

Directed By: Quinn Halleck
Production Company: Late Arrivals 


Written By: Drew Maron

Written By: Quinn Halleck

Produced By: Mike Gioia

Produced By: Ian Eck

Produced By: Quinn Halleck

Produced By: Bryce Dressler


Full Credits in Film

The Concept

This project began based on a true story, I found myself captivated and inspired by the true story of a major tech company that is revealed to have a potentially sentient AI.  My goal was to shed light on the absence of adequate policies governing this groundbreaking technology.

 I am hoping to spark meaningful conversations and a deeper understanding of the profound impact that artificial intelligence is having on our lives.


Why AI?

The film didn’t begin as an “AI film.” Instead, it was a very traditional narrative project with a story the team and I loved. Early in the writing process, we began to see tools emerge that we found could help us tell our story better: the rise of deepfakes, the emergence of voice-changing AI tech, and, of course, ChatGPT. 


As we used one tool, we’d discover another. And another. And Another. Eventually, the secondary goal was to lean into this new AI pipeline as much as possible, using AI tools to help us with our script, storyboards, actor-prep, and eventually VFX. We embraced AI as a collaborator. 

With “Sigma_001” I’ve asked each one of my crew members to find and use the latest tools in AI in their respective department and apply them in their creative process.




Tools like Chat GPT became the creative sounding board for my writer and collaborator Drew Maron, guiding our script and helping further deepen our story. Prompt engineers would use a tool called Dalle or Midjourney to create concept art for our world and our characters. Runway was used to bring that art into storyboarding and Previsualization. 


Principle Photography

As we moved into production, I would ask my actors to use AI chatbots tailored specifically to help find their characters, uncovering the nooks and cranny’s for backstories that would have not otherwise made it into our world.



In post production, Gavin Bedford, Ian Eck, and artists by the name of CoffeeVectors and Druuzl would use tools such DeepFaceLabs were used to to deepfake my characters face to shift from one persona to the next. And Geraldo Gutierrez would use AI voice generation from a company called ElevenLabs to bring a voice to our AI character “Sigma.”


The Result

The overarching goal was twofold: create a captivating AI origin story and, however meta, embrace the very AI tools we were using to help tell our story. It wasn’t simply about cool new visual effects, but it was about expanding the bandwidth of our entire creative process.


I mention the names of my crew not only to give them credit, but to illustrate my idea that it takes real artist to bring the film to its final vision.


In all over 100 people worked on this film. Alongside nearly 15 different AI tools

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